Untitled

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  • veronicadelica:
“perfect light, Brizzle
Weronika Dudka
”

    veronicadelica:

    perfect light, Brizzle

    Weronika Dudka

    Source: veronicadelica
    • 2 years ago
    • 25 notes
  • archlaser:

    Mountain Retreat

    Fearon Hay Architects

    Queenstown, New Zealand, 2008

    (via lucassupertramp)

    Source: archlaser
    • 2 years ago
    • 440 notes
  • archiveofaffinities:
“Kenzo Tange, Children’s Library, Floor Plan, Hiroshima, Japan, 1951-1953
”

    archiveofaffinities:

    Kenzo Tange, Children’s Library, Floor Plan, Hiroshima, Japan, 1951-1953

    Source: archiveofaffinities
    • 4 years ago
    • 111 notes
  • loveyousomat:
“Analysis of plans for Frankfurt-Römerberg, by Candilis, Josic, Woods and Scheidhelm. Though hardly distinguishable on the original drawings, different activities, such as offices, shops, housing and cultural facilities, enable the...

    loveyousomat:

    Analysis of plans for Frankfurt-Römerberg, by Candilis, Josic, Woods and Scheidhelm. Though hardly distinguishable on the original drawings, different activities, such as offices, shops, housing and cultural facilities, enable the resulting mat-building to be seen as a living organism

    The Strategies of Mat-building. The Architectural Review, August 2013

    Source: loveyousomat
    • 4 years ago
    • 34 notes
  • rudygodinez:

    Lina Bo Bardi, Casa de Vidro, (1951)

    Lina designed the “Glass House” for her and her husband in what was then the remnants of the Mata Atlantica, the original rain forest surrounding São Paulo.

    The area is now the wealthy suburb of Morumbi but a more domesticated version of the rain forest has since re-established itself around the house, concealing it from view. 

    The main part of the house is horizontal between thin reinforced concrete slabs with slender circular columns. The columns are pilotis, which allows the landscape to flow under the building. Inside, the main living area is almost completely open, except for a courtyard that allows the trees in the garden below to grow up into the heart of the house. In the house, there are zones allocated to different functions- a dining room, a library, and a sitting area around the freestanding fireplace- but all are unified by the forest views through the glass. 

    In theory, the glass panels slide open horizontally, but there is no balcony to encourage people to go outside. The living area is only half of the house. The other half sits on solid ground at the top of the hill, on the north side of the living room. A row of bedrooms face a narrow courtyard, on the other side of which is the blank wall of the staff wing. Only the kitchen crosses the divide- a territory shared by servants and mistress, and equipped with a variety of well-designed labor-saving devices.

    (via endlessinterior)

    Source: rudygodinez
    • 5 years ago
    • 400 notes
  • arqsa:

    Wotruba church, 1976
    Fritz Wotruba, Arch:
    photo: Paul Bauer

    (via mimilin)

    Source: arqsa
    • 5 years ago
    • 356 notes
  • supplyside:

    blast radius

    (via rchtctrstdntblg)

    Source: usemelikeacow
    • 5 years ago
    • 17753 notes
  • sixtensason:
“Louis Kahn, Yale Center for British Art, New Haven, 1974
”

    sixtensason:

    Louis Kahn, Yale Center for British Art, New Haven, 1974

    Source: coffeewithanarchitect.com
    • 5 years ago
    • 119 notes
  • architectureofdoom:
“ icancauseaconstellation:
“ New College of Florida 1960s
Pei dorm complex
”
View this on the map
”

    architectureofdoom:

    icancauseaconstellation:

    New College of Florida 1960s 

    Pei dorm complex 

    View this on the map

    (via rchtctrstdntblg)

    Source: sleon92
    • 5 years ago
    • 459 notes
  • nickkahler:

    Nieto Sobejano, “Light Cannons” at the Contemporary Arts Center, Córdoba, Spain, 2013 (via halbe alda)

    Source: subtilitas
    • 5 years ago
    • 584 notes
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